In Praise of Grids
I'm a member of the Davis urban sketching community. I almost always mark up a grid before heading out to sketch. I like the firm boundary (which I can break if necessary or if I want a particular effect), I like to work small so that I can work fast (important when sketching people), but mostly, the grid provides a flexible container within which to work.
My travel sketchbooks ALWAYS have a grid. I make a template from some cardstock and this allows me to tuck it into my sketchbook so I always have it ready. Working on a 6x9" format I make six rectangles, usually, in non-photo blue pencil, which allows me to ink in the borders or not later. I have made many sketchbooks with Sundance Felt paper which is folded into signatures but not bound until I get home, so I don't end up with tons of unused pages or, conversely, run out of room.
In the spread above, I used the entire grid for my one drawing of the Öxarárfoss waterfall at Thíngvellír, whereas on the facing page, I took two rectangles for the top left and bottom landscape sketches, and a single rectangle for the flag at the parliament rock and arctic grasses.
I've been pondering how best to use a grid in my large format captures of meetings. My 48" x 92" paper is divided easily into vertical thirds by the fact that division between the three boards is clearly visible. I think I'm going to play with marking the horizontal sheet in thirds too and save intersecting points for especially important places, or drawings, or focus spots. I'll report back!